ChapelChapel inside the Basilica in Quito, Ecuador. The basilica is the most important work of neo-Gothic Ecuadorian architecture and is one of the most representative of the Americas. It is the largest neo-Gothic basilica in the New World. The building is noted for its grotesques in the form of native Ecuadorian animals such as armadillos, iguana, and Galapagos tortoises.
The Basilica is 140 m (460 ft) long and 35 m (115 ft) wide. It is 30 m (98 ft) high in the sanctuary, 15 m (49 ft) high in the votive chapels, 74 m (243 ft) high in the transept, and 115 m (377 ft) high in the two frontal towers. In the sanctuary, there are fourteen bronze images representing eleven apostles and three evangelists. In the crypt, there is a pantheon containing the remains of several heads of state.
The basilica arose from the idea, proposed by father Julio Matovelle in 1883, of building a monument as a perpetual reminder of the consecration of Ecuador to the Sacred Heart. President Luis Cordero issued the decree on July 23, 1883, and it was carried out by president Jose Maria Placido Caamano on March 5, 1884. The congress, in accordance with the year's budget, designated 12,000 pesos for the construction - 1,000 pesos per month, beginning in 1884. By the decree of July 3, 1885, the fourth Quitense Provincial Council turned the construction of the basilica into a religious commitment in the name of the country. In 1887, the Issodum Fathers began construction for five years, with the approval of Pope Leo XIII. The Oblato fathers donated the land for the basilica. To continue construction, donations were accepted from believers, who provided stones in exchange for engraving their names on them. In 1895, the state established a tax on salt to continue the building.
In 1901, Father Matovelle and his Community of Missionary Monks, took charge of the construction at the request of Archbishop Pedro Rafael Gonzalez Calisto. The building was designed by architect Emilio Tarlier at the cost of 40,000 French francs. Tarlier was inspired by the Bourges Cathedral. On July 10, 1892, the first stone was placed. Between 1892 and 1909, the Heart of Mary Cathedral was constructed.
Proceeds from the sale of this photograph goes to help orphaned and abandoned children in Colombia South America.
Chapel CeilingCeiling of a chapel inside the Basilica in Quito, Ecuador. The basilica is the most important work of neo-Gothic Ecuadorian architecture and is one of the most representative of the Americas. It is the largest neo-Gothic basilica in the New World. The building is noted for its grotesques in the form of native Ecuadorian animals such as armadillos, iguana, and Galapagos tortoises.
The Basilica is 140 m (460 ft) long and 35 m (115 ft) wide. It is 30 m (98 ft) high in the sanctuary, 15 m (49 ft) high in the votive chapels, 74 m (243 ft) high in the transept, and 115 m (377 ft) high in the two frontal towers. In the sanctuary, there are fourteen bronze images representing eleven apostles and three evangelists. In the crypt, there is a pantheon containing the remains of several heads of state.
The basilica arose from the idea, proposed by father Julio Matovelle in 1883, of building a monument as a perpetual reminder of the consecration of Ecuador to the Sacred Heart. President Luis Cordero issued the decree on July 23, 1883, and it was carried out by president Jose Maria Placido Caamano on March 5, 1884. The congress, in accordance with the year's budget, designated 12,000 pesos for the construction - 1,000 pesos per month, beginning in 1884. By the decree of July 3, 1885, the fourth Quitense Provincial Council turned the construction of the basilica into a religious commitment in the name of the country. In 1887, the Issodum Fathers began construction for five years, with the approval of Pope Leo XIII. The Oblato fathers donated the land for the basilica. To continue construction, donations were accepted from believers, who provided stones in exchange for engraving their names on them. In 1895, the state established a tax on salt to continue the building.
In 1901, Father Matovelle and his Community of Missionary Monks, took charge of the construction at the request of Archbishop Pedro Rafael Gonzalez Calisto. The building was designed by architect Emilio Tarlier at the cost of 40,000 French francs. Tarlier was inspired by the Bourges Cathedral. On July 10, 1892, the first stone was placed. Between 1892 and 1909, the Heart of Mary Cathedral was constructed.
Proceeds from the sale of this photograph goes to help orphaned and abandoned children in Colombia South America.
No comments:
Post a Comment